Arabic Writing ? Emphasis Search

The Arabic language belongs to the South Semitic branch of Afro-Asiatic family. Arabic literature begins in the sixth century. C. and can be divided to large ceilings in the following periods:. Centuries before the rise of Islam and the Arab tribes had migrated to the regions of Palestine, Syria and Mesopotamia, the Arabs were the dominant group among the inhabitants of Palmyra, long ruled by a dynasty of Arab origin, until the Romans destroyed that kingdom in 273 d. C. Among the first century. C. and the third century. BC, the Nabataeans established a state that reached the Sinai in the west, east and Hejaz in Mada in Salih from the south to Damascus in the north, with Petra as its capital. Arabófonas tribes of Palmyra and the Nabataeans used Aramaic as arabic writing system, but the influence of Arabic is clearly attested in inscriptions on the used names and Arabic words. The corpus of pre-Islamic texts, covering the sixth and seventh centuries d. C., was picked up by Arab philologists of the eighth and ninth centuries. but the classical Arabic language was not uniform, as the philologists Arabs speak a dialect split between western and eastern Hejaz Tamim and other Bedouin tribes. Occlusive glottal phonemes preserved in the eastern dialects have been replaced in the dialects of Hejaz by vowels or semivowels. The Koran, the first literary text written in classical Arabic, is composed in a language very identical to the old poetry. Following the spread of Islam became the ritual language of Muslims and also in the language of teaching and administration. The increase in non-Arab peoples who participated in the new beliefs on the one hand and the willingness of Muslims to protect the purity of revelation on the other, led to the establishment of grammatical rules and the institutionalization of language teaching. The development of grammatical rules took place in the eighth century, along with a process of unification and standardization of the language of scholars. Own expressions and forms of poetry in the pre-Islamic and early Islamic and the Koran, disappeared from the prose in the second half of the eighth century. Following the creation of a normative classical Arabic by the Arab grammarians, language was essentially unchanged in morphology and syntactic structure, becoming the language of scholars in the Islamic world. In its regulations, classical Arabic was also adopted, in addition to educated Muslim elites, other religious minorities such as Jews and Christians. However, the vernacular from the beginning was very different from classical Arabic, which became a language of scholarship and literary even in regions arabófonas. This linguistic situation in which two different variants of the same language, a low and a high living is what has been called diglossia. The question of when there is diglossia in Arabic-speaking community is very controversial. Arabic is the traditional concept that developed in the first century of the Islamic era, as a result of the Arab conquests, when non-Arabs began to speak Arabic and others however concludes that diglossia is a phenomenon pre-Islamic . For many centuries the teaching of Arabic was under the rule of Muslim scholars, not having much room the Jews and Christians, who did not fully share philological education. We must also warn of the dangerous temptation of the technological fascination. This cardinal sin leads us to believe that poetry is art than Shakespeare's sonnets or not to speak of poetry written in antiquated anonymous manuscripts codices completely faded "Démodés". The true poet of the century armed with interactive visual interfaces internéticas satellite wonder if some day you can make a work that comes close (a little at least) to that of Lao Tzu in the V ac or the anonymous who shaped hands on a cave. The poet, the artist of all time always does the same: work the symbol with what technology swipes of his time. Any technology can be used for good or bad about it must be handled with care. Technology is support and if, as McLuhan says, the medium is the message, here's an eternal marriage between poetry and technology. The supports and tools are changing and with them the poetry stone and chisel, paper and ink, typewriter, printing, film, computer, internet and what comes next. But (there must always be a but) in this analysis, occurs primarily in the West, a divorce in the marriage. Perhaps the hand of Saussure signifier and signified are separated. We were then, as the word mamamos children to live, dealing with separation of the whole unit in the form and content. Other divisions are they engender it, such as body-soul, mind and body, and others that deserve a philosophical analysis (perhaps beginning with Descartes) that exceeds the present article (left to the next). But, but. There is but within but luckily. Despite this widespread divorce form-content, some resist and remain faithful to the original marriage. They do not accept the division and typecasting. Continue to move like fish in water. Disciplining a poet is like trying to lock up water with your hands, poets, artists, drain and keep flowing anguilamente restless. These currents were called avant-garde. In reality what they were and are doing is to recover and continue as traditional poetry: his spirit multifaceted and polysemic founder imagensonidoacciónmateriasignificado its original unit. Vanguard against the divisive stagnation of his time, rescuing and re-signifying the traditional spirit and fundamental poetic. In my opinion, in the 20,000 years of existence and language (which makes us Sapiens) leading our species, a revolution is under way for 100 years by the start of a CHANGE CODE OF LANGUAGE. 100 years ago a breakthrough technology began the transformation to which I refer: CINEMA. Then begins the development of audiovisual language code. Then later technological developments gave and give even more possibilities to the audiovisual language code as Video, Internet, Mobile Phone with camera and screen, and future developments. A video seen on the internet is a form of cinema, audiovisual language, is a screen with moving images and sound. In this new visual language we communicate more and more, increasingly exponentially. Screens and cameras increasingly populate our culture and our lives. Movie screen, TV screen, computer screen (laptop laptop now), webcam pc / laptop, screen and camera phones, security cameras in elevators, doors, corridors, offices, public roads, screens in the media transport through the streets, in stadiums, satellite cameras to monitor the entire planet medicinal cameras and sound imaging (ultrasound, CT, etc.) and micro enter through our veins and digestive system. Etc by 1,000. Increasingly, the visual language is used in all fields and disciplines, both for training, for communication and for the specific purposes of each discipline whether technical, humanistic and artistic. Also notable is the strong power of validation that has this language, the point identified with truth, with reality. Naturally we believe that what we see on screen is the reality, requiring intellectual effort on our part to get out of that domination. In the early projections in a locomotive coming toward the screen, people ran out of film, and today we are still excited by a plasma illuminated pixels. We are in "a society for remote control screens" said Giovanni Sartori

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